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Listen: Apple Music | Spotify | YouTube “I Don’t Want to Know” If the first half of Rumours demands you go your own way and never look back, “The Chain” is a stark reminder that you’re forever tied to the people you love most, even while they’re betraying you. “The Chain” is, in essence, Fleetwood Mac captured in one song: the rare composition to be credited to the group’s classic five-member lineup, its parts cobbled together by Buckingham at a time when certain people in the band weren’t even speaking to each other. She just as easily could have been singing about the band. She wrote the lyrics about the end of her seven-year relationship with Buckingham, and together they sing her words in thrilling harmonies and vocal round-robins, a touch of contempt in their voices. But it was Stevie Nicks who gave the sprawling anthem its central quandary: to stay or to go. “The Chain” would not have been possible without each of its musical links: the recycled Lindsey Buckingham riff that haunts the first half, the foreboding John McVie bass solo that guides the latter-which, along with some chord progressions, came from an unreleased Christine McVie song. Listen: Apple Music | Spotify | YouTube “Landslide” Her “Rhiannon” is a myth of her own making. She fell in love with the name, only seeing a woman who was trapped and isolated. Embodying Rhiannon illustrated Nicks’ empathy: The Rhiannon of Triad was evil, but Nicks never saw her that way. As she cries out like a woman possessed, the production transitions from gloom to radiance, Christine McVie’s subtle keyboard playing flickering like fireflies.
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Nicks’ vocal range is on full display here: She balances mysteriousness and hopefulness, oscillating between husky and honeyed with spellbinding command. (She later learned of the Welsh witch Rhiannon, which made the name even more fitting.) “Rhiannon” became her breakout single with Fleetwood Mac and the origin of the pagan goddess identity she’d carry throughout her career. After reading Mary Bartlet Leader’s novel Triad-about a woman named Rhiannon who possesses another woman, manifesting as her inner darkness-Nicks was inspired to write a song about that mystical struggle. Stevie Nicks has always been transfixed by fantasy. romantics flopped their way into a British blues-rock group. So Mick Fleetwood asked Buckingham to replace him Buckingham said he and Nicks were a “package deal.” (Fleetwood had already taken an interest in Nicks, anyway, after he’d noticed her rehearsing at Sound City.) Thanks to “Frozen Love,” two L.A.
Later that month, Bob Welch became the latest in a long line of Fleetwood Mac guitarists to quit the band. But even as these parts converge and Nicks and Buckingham trade off fervent vocals, their lyrics paint an intimate image of a relationship gone cold. One night in December 1974, Fleetwood Mac drummer Mick Fleetwood visited Sound City Studios, where Buckingham and Nicks had recorded to demonstrate the studio’s power, producer Keith Olsen played him the Buckingham Nicks closer “Frozen Love.” The seven-minute folk-rock opus is indeed a flashy technical achievement, balancing strings, synth, and guitar across three separate musical movements. Nicks went back to waiting tables while Buckingham worked on music at home. He was singing the Mama and the Papas’ “California Dreamin’.” She harmonized with him and changed pop music forever.īuckingham Nicks was a critical and commercial failure, and Polydor Records dropped the duo shortly after its release.
The first song she wrote on guitar, at age 15, was called “I’ve Loved and I’ve Lost.” By high school, Nicks’ family had settled in Palo Alto, and there, at a session for young musicians, she encountered a boy named Lindsey Buckingham. She sang duets like “Darling Clementine” with her grandfather, a struggling country singer, in local saloons before discovering the aching hooks of girl-group R&B and Goffin-King pop. From her early days as half of the hippie-folk duo Buckingham Nicks, into the blockbuster soap opera of Fleetwood Mac, and through her dynamic solo career, there has always been something bewitching about Nicks’ vision of pop.īorn Stephanie Lynn Nicks in 1948 in Phoenix, Arizona, she moved often through her childhood, through the Southwest to Salt Lake City and finally on to California. Draped in black chiffon, a high priestess of Los Angeles bohemia with practically clairvoyant emotional insights, Nicks is a star unlike any other. Stevie Nicks is the ultimate rock’n’roll mystic.